Wednesday, April 8, 2009

Welcome to my Motown blog!


On April 14, 1960, Barry Gordy Jr. created the Motown Record Corporation, a move which was to inspire and produce one of America's most well-known, and well-loved, musical genres – Motown. The label became one of the most influential companies in American music making, with a distinct sound that combines soul, R&B and pop. By the mid-sixties, Motown Records, based in Detroit, Michigan had become a virtual hit factory, with 110 top-ten hits and several wildly popular groups – The Supremes, The Temptations, Marvin Gaye, and The Jackson 5 among them. The vast success of the label underscores the importance of the label in the integration of popular music. Through Motown, African-American artists could achieve the same – and often greater – popularity and monetary success as white artists. Motown Records became a label founded, owned and operated by an African-American. Most of Motown's artists were African-American, and through the excellent songwriting and production provided by the likes of Barrett Strong, Norman Whitfield, Lamont Dozier and brothers Brian and Edward Holland, these artists were able to achieve success in numerous musical fields.

Motown Records and the artists that recorded for them developed a distinct sonic tradition known as “the Motown sound.” Things to listen for in the playlist include simple melodies, supported by background and call-and-response-vocals, as well as distinctive chord changes and electric guitars. The most important aspect of the Motown sound lies in its ability to blend pop with soul and R&B. Songs were generally not written by the performers themselves, although Smokey Robinson of The Miracles was an important songwriter and producer for the label. Instead, songwriting teams would work to craft hits for various groups, with the result that numerous recordings of the same song exist by different Motown artists.

While creating this playlist, I strove to reflect these sonic markers while including the most important groups and songs of the Motown label. I imposed a few restrictions, however, in order to sift through the impressive – and massive – Motown catalog. I wanted to focus on groundbreaking releases, so many of the songs I chose are first number one hits – for example, I include not only Motown's first number one, but also the first number ones of many important groups. All of the songs I chose were released while Motown Records was still based in Detroit, and their release dates span 1961 to 1973. Not every track included on the playlist reached number one, however – tracks like the unreleased Miracles version of “I Heard It Through The Grapevine,” for example, illustrate the disconnect between singer and songwriter while still reflecting the classic Motown sound.

To the right, you can find links to every individual song as well as a complete playlist. Below, I have included individual commentary, as well as bibliographic information, on each track. After this commentary, please check out my list of resources – they might lead you to your own Motown discoveries. Enjoy!

image url: http://marvin-gaye.guidechart.com/Pictures/berry-gordy-at-motown.jpg

Tuesday, April 7, 2009

Please Mr. Postman - The Marvelettes

This track, released in 1961, was one of the newly-formed Motown Record's biggest hits and early successes. The clean sound and call and response chorus represents the classic Motown sound. The track hit #1 on both the pop chart and the R&B Billboard chart, reflecting the combination of genres that the label strove to create. Although the early success of the Marvelettes served as a boost for the label, the group – who hailed from Inkster, Michigan – failed to maintain their popularity. The Motown label, on the other hand, was to produced many more number one hits in the future.

Artist: The Marvelettes
Title: Please Mr. Postman
Album: Please Mr. Postman
Released: August 21, 1961
Label and #: Motown (Tamla) T 54046

Dancing In The Streets - Martha and The Vandellas

This song is another popular Motown hit, one that is both widely known and culturally significant to the 1960's. Originally just a dance beat, “Dancing in the Streets” became an important anthem for the civil rights movement at a time when inner city riots and demonstrations frequently occurred. This association connects Motown music to a larger context of the African-American struggle for equality. The song also mentions the “Motor City” by name in its lyrics, strengthening the Detroit nickname and giving it meaning within a larger, national context.

Artist: Martha and The Vandellas
Title: Dancing in the Streets
Album: Dance Party
Released: July 21, 1964
Label and #: Motown (Gordy) G 7033

I Want You Back - The Jackson 5


I've selected this song as another example of a widely popular song from an influential Motown band. The Jackson 5 propelled to popularity with this track, their first single. They continued their success throughout the early 70's. The band, along with many other Motown groups, became one of the first African-American groups to reach the same levels of success and fan adoration as white groups. In this way, the Motown label helped popularize and accentuate black artists in ways that did not occur prior to many groups' success on the label.

Artist: The Jackson 5
Title: I Want You Back – The Jackson 5
Album: Diana Ross Presents The Jackson 5
Released: October 7, 1969
Label and #: Motown M 1157

image url: http://imagecache2.allposters.com/images/pic/MMPH/170427~The-Jackson-5-Posters.jpg

I Second That Emotion - The Miracles

Lead singer and producer Smokey Robinson blends pop and soul with this successful track. This track, like most of the others on this playlist, was recorded in the famous Hitsville USA studio in Detroit.

Artist: The Miracles
Title: I Second That Emotion
Album: I Second That Emotion
Released: October 1967
Label and #: Motown (Tamla) T 54159

image url: http://tothesublime.typepad.com/.a/6a010536c49f05970c011279025d5328a4-800wi

Where Did Our Love Go - The Supremes


Yet another first number one hit from a group off Motown records. This selection of this song continues the theme of popular, chart-topping hits by Motown bands – this popularity is important, however, in light of the national context of racialized oppression and discrimination in the 1950's and 1960's. With the growing popularity of African-American groups, Motown Records played a huge role in the integration of the musical industry.

Artist: The Supremes
Title: Where Did Our Love Go
Album: Where Did Our Love Go
Released: June 17, 1964
Label and #: Motown M 1060

image url: http://www.stonewallvets.org/images/songs_6/supremes_-_the_supremes_sing_holland-dozier-holland.gif

My Girl - The Temptations


This classic track features characteristics of the Motown sound, including smooth backup vocal and a clean, pop-influenced soul. “My Girl” was The Temptations' first number one hit.

Artist: The Temptations
Title: My Girl
Album: The Temptations Sing Smokey
Released: December 21, 1964
Label and #: Motown (Gordy) G 7038

image url: http://www.showmehowtoplay.com/_images/smhtp_artist/large/88.jpg

I Heard It Through The Grapevine - The Miracles

One important characteristic of Motown records is the disconnect between songwriter and performer. It was common for several artists to record the same song. “I Heard It Through the Grapevine,” written by Barrett Strong and Norman Whitfield, became one of Motown's most important tracks. This version, recorded by the Miracles, is included because they were the first to record the song. Ultimately, however, this version was deemed unreleasable.

Artist: Smokey Robinson and The Miracles
Title: I Heard It Through The Grapevine
Album: None
Released: Not Released
Label and #: None

I Heard It Through The Grapevine - Gladys Knight and The Pips

The second group to record this song, Gladys Knight and The Pips achieved popularity when they took this song to number one on the Billboard R&B chart. Although Marvin Gaye's version, released a year later, was to be Motown's most popular single up to that point, this version is included here because Gladys Knight and The Pips were the first to popularize this important track.

Artist: Gladys Knight and The Pips
Title: I Heard It Through The Grapevine
Album: Everybody Needs Love
Released: September 28, 1967
Label and #: Motown (Soul) S 35039

I Can't Help Myself (Sugar Pie Honey Bunch) - The Four Tops

This song reached number one in 1965. It features call and response background vocals and a strained, almost shouted lead vocal. Songs for the baritone-voiced lead singer Levi Stubbs were often written in a higher rang, in order to achieve this strained sound that evokes black preaching or gospel styles.

Artist: The Four Tops
Title: I Can't Help Myself (Sugar Pie Honey Bunch)
Album: Four Tops' Second Album
Released: April 23, 1965
Label and #: Motown M 1076

This Old Heart Of Mine (Is Weak For You) - The Isley Brothers

The Isley Brothers have remained true to their R&B roots for over four decades, having recorded since 1959. This song represents their biggest hit on their brief stay at Motown Records.

Artist: The Isley Brothers
Title: This Old Heart Of Mine (Is Weak For You)
Album: This Old Heart Of Mine
Released: January 12, 1966
Label and #: Motown (Tamla) T 54128

Fingertips - Stevie Wonder


Stevie Wonder recorded “Fingertips” after signing with Motown records at age 11. This track was the label's second number one hit, after “Please Mr. Postman” by The Marvelettes. The jazzy, big-band feel of the song is a somewhat unique departure from the Motown sound, but this style showcases Stevie Wonder's incredible harmonica and bongo skills. This track also features a call and response chorus.

Artist: Stevie Wonder
Title: Fingertips
Album:Recorded Live: The 12-Year-Old Genius
Released: May 21, 1963
Label and #: Motown (Tamla) T 54080

image url: http://www.bouldercool.com/stevie.jpg

Ain't Nothing Like The Real Thing - Marvin Gaye and Tammi Terrell

This soulful track was the duo's first number one hit, released in 1968. The song, written by songwriting team Ashford and Simpson, gave Terrell her first taste of success – her previous solo recordings gave her only limited success.

Artist: Marvin Gaye and Tammi Terrell
Title: Ain't Nothing Like The Real Thing
Album: You're All I Need
Released: March 28, 1968
Label and #: Motown (Tamla) T 54163

Do You Love Me - The Contours


The Contours released this track in 1962, and it reached number one in the R&B charts. The song features a rocking lead vocal with call and response background vocals. Despite the popularity of this single, the group failed to achieve similar successes in the future. This song helped popularize two dance crazes, the Mashed Potato and the Twist – reflecting yet again the role of Motown sound in national culture.

Artist: The Contours
Title: Do You Love Me
Album: Do You Love Me (Now That I Can Dance)
Released: June 29, 1962
Label and #: Motown (Gordy) G 7005

image url: http://assets.mog.com/pictures/wikipedia/1414920/The-contours-do-you-love-me.jpg

Who's Loving You - The Jackson 5

This song, written by Smokey Robinson of The Miracles, was recorded by almost every major Motown during the 60's. This version by the Jackson 5 is the most well-known version, and reached number one as the B-side to “I Want You Back.” Eleven-year-old Micheal Jackson's lead vocal is absolutely breathtaking, and is supported by background vocals from his brothers.

Artist: The Jackson 5
Title: Who's Loving You
Album: Diana Ross Presents The Jackson 5
Released: October 7, 1969
Label and #: Motown M 1157

You Really Got A Hold On Me - The Miracles

This classic track is one of the most popular and well-known of the early Motown tracks. While it features the classic Motown sound, this song – covered by numerous groups, both national and international alike - also reflects the vast influence that the Motown sound and label had on popular music in general. The most notable of these covers is the Beatles' version, recorded in 1963, though Cher and The Temptations also released their own versions.

Artist: The Miracles
Title: You Really Got A Hold On Me
Album: The Fabulous Miracles
Released: November 1962
Label and #: Motown (Tamla) T 54073

Reach Out I'll Be There - The Four Tops


This song is another one by Motown's Holland-Dozier-Holland songwriting team. Notice again the half-singing, half-shouting lead vocal characteristic of the Four Tops, and the way this invokes African-American sonic influence in popular music.

Artist: The Four Tops
Title: Reach Out I'll Be There
Album: Reach Out
Released: August 18, 1966
Label and #: Motown M 1098


image url: http://www.soulwalking.co.uk/%A5Artist%20GIF%20Images/Four-Tops-(Good)-99.jpg

(Love Is Like A) Heatwave - Martha and The Vandellas

This track, released in 1963, is another early Motown number one from the Holland-Dozier-Holland team. Reaching number one on the Billboard R&B chart, the song combines pop with R&B to help define and reflect the Motown sound.

Artist: Martha and The Vandellas
Title: (Love Is Like A) Heatwave
Album: Heatwave
Released: July 9, 1963
Label and #: Motown (Gordy) G 7022

You Beat Me To The Punch - Mary Wells

Mary Wells is often referred to as “The First Lady of Motown.” She became the first Motown artist to be nominated for a Grammy - “You Beat Me To The Punch” received a nomination in the R&B category.

Artist: Mary Wells
Title: You Beat Me To The Punch
Album: The One Who Really Loves You
Released: 1962
Label and #: Motown M 1032

Psychedelic Shack - The Temptations


This song features more rock and complicated studio layering than is typical for a Motown track, but “Psychedelic Shack” is historical for another reason. This song considered to be the first to use sampling, a technique that would persist and become important in hip-hop, rap and modern mash-up/electronica sound. The Temptations, in the intro of the song, sample their previous hit “I Can't Get Next To You.”

Artist: The Temptations
Title: Psychedelic Shack
Album: Psychedelic Shack
Released: December 28, 1969
Label and #: Motown (Gordy) G 7096


image url: http://farm1.static.flickr.com/80/257423962_1721e3de31.jpg?v=1191343572

Someday We'll Be Together - The Supremes

This song was to be the last that The Supremes recorded with Diana Ross.

Artist: Diana Ross and The Supremes
Title: Someday We'll Be Together
Album: Cream of the Crop
Released: October 14, 1969
Label and #: Motown M 1158

Ain't No Mountain High Enough – Marvin Gaye and Tammi Terrell


This song became a famous part of the Motown catalog. Although this version, recorded as a duet and released in 1967, failed to reach number one, it was the first recording of this important track and so it is included here. Diana Ross later recorded a version of the track that landed her a Grammy nomination and a number one hit.

Artist: Marvin Gaye and Tammi Terrell
Title: Ain't No Mountain High Enough
Album: United
Released: April 20, 1967
Label and #: Motown (Tamla) T 54149

image url: http://img.photobucket.com/albums/v280/tomasutpen/Album2a/a24e5fe0.jpg

Neither One Of Us (Wants To Be The First To Say Goodbye) – Gladys Knight and The Pips

This song departs from the usual upbeat, fast-paced sound of a Motown single. Instead, the song is a slow, soulful ballad that proved to be one of the group's last hits before they left the Motown label.

Artist: Gladys Knight and The Pips
Title: Neither One Of Us (Wants To Be The First To Say Goodbye)
Album: Neither One of Us
Released: January 1973
Label and #: Motown

I'll Be There - The Jackson Five

Another ballad – one that came after three upbeat singles by the Jackson 5, thus diversifying and expanding both the group's sound and potential. This single was to be the Jackson 5's greatest all-time selling single, proving yet again the vast popularity that African-American groups could achieve.

Artist: The Jackson 5
Title: I'll Be There
Album: Third Album
Released: August 28, 1970
Label and #: Motown M 1171

It's The Same Old Song - The Four Tops

This track features a simple melody and chorus, as well as the distinctive vocals of Levi Stubbs.

Artist: The Four Tops
Title: It's The Same Old Song
Album: Four Tops' Second Album
Released: July 9, 1965
Label and #: Motown M 1081

Papa Was A Rollin' Stone - The Temptations

This song was to be The Temptations' last number one hit. The song features long instrumental breaks, but also emphasizes bluesy vocals and hand-claps – a unique sonic feature that invokes African-American influence, and brings it into the field of popular music.

Artist: The Temptations
Title: Papa Was A Rollin' Stone
Album: All Directions
Released: September 28, 1972
Label and #: Motown G 7121

Resource List


From the web:

www.youtube.com
www.motown.com
www.motownmuseum.com
www.wikipedia.com

From print:

Takin' It To The Streets, edited by Alexander Bloom and Wini Breines. 2003, Oxford University Press.
The Motown Album: The Sound of Young America, by Elvis Mitchell and Ben Fong-Torres. 1990, St. Martin's Press.
To Be Loved: The Music, The Magic, The Memories of Motown: An Autobiography, by Berry Gordy. 1990, Warner Books.

image url: http://www.recordinginsidethebox.com/Motown_logo.gif